Tal Rosner studied graphic design, creating an independent language i.e. rhythm and movement were his interests.
One of his major film productions was ‘Doppelganger’, duration 4 minutes 10 seconds which displayed pulsation and shift.
He uses environment to create linear shapes - triangles, rectangles etc. This is his passion.
He generally uses a small budget, which is occasionally personally funded.
He progressed from techno music to more sophisticated classical tunes due to the briefs that were required.
One of the films we watched ‘Stravinsky Debussy’ contained a part named ‘Conmoto’ which used a similar technique to Doppelganger - with the splitting screen and the violence was suggested with sudden jolting movements.
Another clip from this showed scenery of sea, pylons and boats which were multi-framed, gradually morphing into one another.
He did the ’Skins’ programme for Channel 4 / E4 which contained 72 different versions of people covered with abstract layering which concealed his style.
One of his major film productions was ‘Doppelganger’, duration 4 minutes 10 seconds which displayed pulsation and shift.
He uses environment to create linear shapes - triangles, rectangles etc. This is his passion.
He generally uses a small budget, which is occasionally personally funded.
He progressed from techno music to more sophisticated classical tunes due to the briefs that were required.
One of the films we watched ‘Stravinsky Debussy’ contained a part named ‘Conmoto’ which used a similar technique to Doppelganger - with the splitting screen and the violence was suggested with sudden jolting movements.
Another clip from this showed scenery of sea, pylons and boats which were multi-framed, gradually morphing into one another.
He did the ’Skins’ programme for Channel 4 / E4 which contained 72 different versions of people covered with abstract layering which concealed his style.
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